Susanne M. Winterling works across a variety of media including film, photography, sculpture, and performance. The artist is primarily known for her time-based installations which critically engage the representation of reality. Prevailing modernist concepts, power structures and hierarchical historiographies are captured and investigated in her work in the form of spatial constellations. Her practice emphasizes what pure information and form leaves out – including a sensual approach to media and material informed by the understanding of immersion and power as energy flows. With an emphasis on enhancing our perceptual and critical consciousness, Winterling undertakes affective and material-based research that highlights the subjective interaction between producers, viewers, materials and species in our ecology.
Winterlings artistic research into ecology, epistemology and science on the particular theme of bioluminescence developed by now into the larger scientific and artistic research network Planetary sensing which amongst other things aims to set up an infrastructure for a research and education lab where humans and non-humans work together and support each other.
This and other research reflect within Winterlings project Pandora’s Box a platform and archive of investigations stories and interviews around aesthetic solidarity and empowerment. The larger production Shelter (lighthouse of fragility) incorporates the material aerogel, that combined already in 2013 Winterlings interest in sustainable contemporary material and her research in bioluminescence and luminosity in the ecosystem in relation to her praxis of photography, film and installation.